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A Long Way Gone: Memoirs of a Boy Soldier

A Long Way Gone: Memoirs of a Boy Soldier

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Author: Ishmael Beah
Publisher: Farrar, Straus and Giroux
Category: Book

List Price: $12.00
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New (57) Used (25) Collectible (1) from $6.00

Rating: 4.5 out of 5 stars 424 reviews
Sales Rank: 760

Media: Paperback
Edition: 1st
Pages: 240
Number Of Items: 1
Shipping Weight (lbs): 0.5
Dimensions (in): 8.2 x 5.4 x 0.7

ISBN: 0374531269
Dewey Decimal Number: 966.404
EAN: 9780374531263
ASIN: 0374531269

Publication Date: August 5, 2008
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Editorial Reviews:

Product Description
My new friends have begun to suspect I haven’t told them the full story of my life.
“Why did you leave Sierra Leone?”
“Because there is a war.”
“You mean, you saw people running around with guns and shooting each other?”
“Yes, all the time.”
“Cool.”
I smile a little.
“You should tell us about it sometime.”
“Yes, sometime.”


This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them.

What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived.

In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.



Customer Reviews:   Read 419 more reviews...

5 out of 5 stars Difficult but worthwhile   February 26, 2007
Laura Mattox (Atlanta, Ga USA)
173 out of 186 found this review helpful

While I did find this book painful to read, I am very glad I stayed with it. Ishmael tells his story in casual language, almost as if he were sitting next to you, sharing his experiences over (many cups of) tea.

He relays his life to us chronologically, beginning in his home village. He and some friends took a several day trip to a neighboring village to show off their hip-hop skills at a talent show. Little did they know, that little trip probably saved their lives. For while they were away, the rebel army attacked their home village.

From there, we follow Ishmael and his friends as they try to find their families (all had had to flee the village, literally running for their lives) struggling to meet the barest of necessities. It is a long, dangerous road they walk, and they suffer countless difficulties as they try to find somewhere safe to stay. A tunnel with no light. You really feel the desperation, the loneliness and despair that descended upon this poor little boy. Much of the book is about this time of wandering, going hungry, being ill-met by other villages who suspect these young, homeless friends of being a wandering squad of rebel child-soldiers. They are met with suspicion at best, hostility at worst.

It is actually understandable when Ishmael is manipulated into fighting with the government army. He is finally in a village that feels safe, he is eating, there are soldiers protecting the village, that is until the rebels surround the village, leaving no path for escape. All males (even 6 or 8 year olds) must fight for their lives, or die.

It begins as such, fighting for the "good side," the ones who did not kill his family, and fighting to defend himself. But, as this brief portion of the book tells us, he quickly descended into the much darker side of warfare, where the good and bad guys are not so easily discerned. When did he cross the line and become someone who kills some other little boy's family? It is so painful, so sad.

But Ishmael does not delve too deeply into the emotions behind his motivations and reactions. Nor does he tell us much about how he has come to reconcile with himself. He tells us some, and maybe this is my psych degree, but I want to know more, I hope he is able to go deeper within himself. I don't need to read about it, but I hope he can because I want him to truly be alright now. You will, too, because no feeling human can read this book and not find themselves truly caring about this young man.

And now I think of the other children still out there, still being coerced into fighting the wars of horrible adult men. I want to help them, which is, I imagine, part of Ishmael's hope.

Don't wait for the cheaper paperback, this is a book to read now - you will want to talk to people about it. Prepare to be stirred.



5 out of 5 stars Astonishinly introspective and honest!   February 20, 2007
W. P. Strange (Williamstown, MA United States)
76 out of 81 found this review helpful

This is an extraordinary memoir by a young man who has lived and seen the worst of humanity and managed to survive and become a better man for all the tragedy, violence, horror and degradation he was forced to witness as a 12 year old boy. I can see this as required reading in high schools across the country. It is not only that good, it is that important. The writing is honest, straight forward, painfully introspective but never self pitying. Truly an amazing story, and a history lesson we all need be reminded of now and again.


5 out of 5 stars A Moving Story of Innocence Lost and Redemption   March 11, 2007
D. Buxman (Pueblo, CO United States)
31 out of 36 found this review helpful

Ishmail Beah shines a spotlight on the effects of a war that many didn't know existed, but the type of which is all too common in the world today. His heart breaking story is written in a simple, yet eloquent manner. My only complaint is that the book ended too soon, as I wanted to know more about his journey to America.
From the simple joys of childhood, through the pain of losing his friends and family, to his descent into savagery and finally, his redemption, this is a book that is hard to put down.



5 out of 5 stars I admire his resilience   February 16, 2007
bossy dinosaur
22 out of 22 found this review helpful

A Long Way Gone was a remarkable book. The narration is divided into three parts--before the war, being a soldier, and learning to become human again. The LL Cool J and Run DMC references surprised me because it showed just how far-reaching music (and media) can be. Sadly, the opposite is not true: little media attention was (is) given to the plight of child soldiers around the world. I hope this book will start the conversation.

I was struck, and almost disturbed, by the matter-of-fact tone Beah used to describe the atrocities he committed, but his overall linguistic elegance made the descriptions of his travels and the reflections on his life uplifting by the end. How he was able to "rehabilitate" himself after living that surreal life demonstrates his strong sense of self. The book ends somewhat suddenly, but then, Beah's life story is still unfolding at age 26. This is a stark, but beautiful, narrative.



2 out of 5 stars Fact Vs. Fiction - Say "NO" to "poetic license"   July 5, 2008
stevengerber (culver city, ca)
21 out of 27 found this review helpful


FACT OR FICTION

Do a background check on the author and you'll see articles in SLATE, the NY TIMES and others in which the author's veracity is, tragically, in question.

Please don't shoot the messenger when you find some disturbing questions, and just as importantly, don't shoot the _message_.

After all, these events did take place, and it's important that we recognize and absorb them, so we can act quickly to help when they happen. (Think the Rwandan genocide, when the international community sat on the sidelines as 1,000,000 people were killed over 100 days.)

IF, however you are interested in the controversy surrounding this particular book and my take on it, read on:

CONTROVERSY

This is an important, gripping work that brings attention to some of what's happening in other parts of the world.

However ....

... if you read-up on this author, you'll find out about the ongoing controversy over the accuracy of events that occur in the book. (Look for articles in Slate, the New York times, among others.)

As a result, several salient points emerge:

1) Some of the work appears to have been written originally as _fiction_ with the aid of his Oberlin University Creative Writing teacher Dan Chaon, which was then changed to non-fiction.

2) Having said that, the author probably *did* experience some of what was written about in Memoirs, although to a different degree than described. How much, unfortunately we'll never know.

This means that:

3) The book contains BOTH FICTIVE AND NON-FICTIVE ELEMENTS, the fictive elements (in the Creative Writing teacher's own words, captured on tape by an Australian journalist) added as "poetic license."

And here is where I take umbrage.

FACT VS. FICTION: WHY IT'S IMPORTANT

With the relatively-recent publication and retraction of fake biographies (such as "Love and Consequences," a fake memoir of growing up in an L.A. gang, since discredited and pulled by the publisher), I think the blowback against this book is reasonable.

There's a REASON we have categories such as "fiction" and "non-fiction," and why we keep them separate.

Fact is the opportunity to examine the nuances of history and its consequences, and learn something from the net result. Fiction is highly subjective, one person (or group's) untested ideas of what might be (even if the fictive work is set in the past). To blur the line is to cheapen the lessons of history.

SAY NO TO FACT-ION

Faction has become a bit too rampant nowadays, from "historical movies" that invent unsubstantiated love affairs (think Truman Capote kissing Perry Smith in "Infamous," or Queen Elizabeth having an historically unsubstantiated affair with Sir Walter Raleigh in "Elizabeth: The Golden Years,") to books like "Dutch: A Memoir of Ronald Reagan," which blessedly received the ridicule it deserved.

And perhaps it's true that it's the publishing houses -- or even the public's taste for only the most sensationalistic -- that are to blame, putting pressure on well-intentioned authors such as Ishmael Beah to color stories that are already horrific enough, for the sake of maximum marketability.

By all means, read and absorb Ishmael Beah's tragic story.

You can be sure some of these things happened to him, and certainly to others.

COMMERCE ABOVE ALL?

But let's start thinking about saying "no" to another machine, although one less horrific than the one Beah had to endure: the machine of sensationalism-over-truth, which encourages writers and publishers to color facts to maximize sales, thus potentially discrediting what is an important core message.


a long way gone  africa  child soldiers  memoir  survival  

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