| Nikon 18-200mm f/3.5-5.6 G ED-IF AF | |
|
|
|
Digital Photo Art: Transform Your Images with Traditional & Contemporary Art Techniques | 
enlarge | Author: Theresa Airey Publisher: Lark Books Category: Book
List Price: $29.95 Buy New: $19.77 You Save: $10.18 (34%)
New (30) Used (13) from $10.98
Rating: 10 reviews Sales Rank: 130812
Media: Paperback Pages: 208 Number Of Items: 1 Shipping Weight (lbs): 1.9 Dimensions (in): 10.9 x 8.3 x 0.7
ISBN: 1579905803 Dewey Decimal Number: 776 EAN: 9781579905804 ASIN: 1579905803
Publication Date: May 1, 2005 Shipping: Eligible for Super Saver Shipping Availability: Usually ships in 24 hours
| |
| Similar Items:
|
| Editorial Reviews:
Product Description
With its inventive blend of classic art and contemporary digital techniques, this fresh, exciting guide offers photographers and visual artists an array of creative concepts and projects found nowhere else.
Go beyond the boundaries of the simple digital photograph with these exciting mixed-media art techniques that employ both computer software and traditional hands-on materials. This unique blend of the classic and the new results in eye-catching images that incorporate painting, printmaking, photography, and digital art. Every magnificent page displays exciting and groundbreaking ways to utilize today's digital tools. Use programs such as nik Color Efex Pro! and Adobe Photoshop to reproduce the effects of an old bromoil print or a watercolor painting. With Lazertran inkjet paper, varnish, and turpentine, create a pseudo Polaroid transfer that looks just like an original. Hand color photographs with pastel pencils, or try encaustic wax for an otherworldly effect. With these time-honored artist's tools and modern computer effects, the sky's the limit on creativity.
|
| Customer Reviews: Read 5 more reviews...
Loaded With Gimmickry & Gadgets September 22, 2005 Big Pete Osco (Upstate, NY) 73 out of 89 found this review helpful
Contrary to the previous review, I don't find Ms.Airey that proficient in Photoshop. Much of her artistic successes come from "Happy Surprises" in experimenting with various software and hardware. Which brings me to my next point. Be prepared to spend $1,000+ on such things as Nik Color Effects, AutoFX Photographic Edges, Wacom tablets and last but not least Studio Artist, which is only made for a Mac. So you'll need a Mac too if you want to try any of her "experiments". Nearly half the book is devoted to "Studio Artist" Inserts written by her compatriate artists use photoshop more than Ms. Airey. Some of her techniques are "way out there". I may as well bought a book written by Rembrandt on "How to Paint Pictures"
a wonderful compendium January 19, 2006 John Stevenson (Colorado Springs, CO U.S.A.) 45 out of 48 found this review helpful
In summary, this is a very insightful book, which works well on several different levels. First, it is clearly intended to be inspirational - to draw its readers into new avenues of image making and creativity. In this respect the book is wonderful, since it not only contains many intriguing and appealing images (and sets of ideas) worked through by the author herself, but also showcases work from other artists (many of whom have established high and worthy reputations in their own right). It's a digital visual feast! Secondly, the book is also intended to be instructional; to deal - essentially - with artist toolkit issues and specific project guidelines. Here the biggest depth of detail is centered on what will likely be the most unconventional of approaches to the majority of readers. For example, more information is provided on alternative physical media involved in many of the projects and categories of work - covering "non-standard" print media, materials for image transfers, pencils, fixatives, paints (including encaustic forms), etc. Photographic technique and imaging software procedures are covered less comprehensively (in any event, and despite the comments of an earlier reviewer, this is not a book about Photoshop expertise). Finally, the book is also a little bit of a memoir. The author describes herself as an image maker rather than a photographer; but, nevertheless, she includes little pieces of information on the context of the original photography - what she was trying simply to record in that place on that day. So, altogether, a splendid book - highly recommended.
Far Beyond Digital Photography July 22, 2005 John Matlock (Winnemucca, NV) 38 out of 50 found this review helpful
Ms. Airey says that she isn't an artist but an image maker. She has definitely made the switch to digital photography, and is a master at Photoshop. But she goes far beyond this. She sometimes uses traditional art techniques to take the basic photographic digital prints to a new level of creative expression. For instance she may decide to color the image herself using traditional paints and a brush. Perhaps she prints the image on canvas and uses this only as an outline for the painting she wants to do. Perhaps she wants an old fashioned appearance, complete with aging caused discoloration or a sepia tone. There are a lot of books on using Photoshop to produce special effects. And what you can do with Photoshop is truly amazing. But what you can do with some special attachments such as infrared filters is far more. This book adds an entirely new dimension because when you get right down to it, the whole world doesn't have to be handled digitally.
Ideas for Everyone September 29, 2005 Colin C. Clarke (Australia) 22 out of 29 found this review helpful
There's almost no one in the world of graphics or photography who wouldn't benefit from this book. It's up-to-date, innovative and of a high standard both in its content and its production. Plenty of large colorful images and enlightening text make for a comprehensive journey through much of what's possible in the digital image world today.
Boaring January 11, 2007 Mike Snow (france) 5 out of 11 found this review helpful
I was not impressed. It seamed old, outdated, and the art was basic at best. I would say keep looking there are MUCH better books on Amazon about the subject.
|
|
|
| |