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Art and Love in Renaissance Italy (Metropolitan Museum of Art) | 
 enlarge | Creator: Andrea Bayer
Publisher: Metropolitan Museum of Art
Category: Book
List Price: $65.00
Buy New: $40.95
You Save: $24.05 (37%)
New (27) Used (3) from $36.95
Rating:  2 reviews
Sales Rank: 32601
Media: Hardcover
Pages: 352
Number Of Items: 1
Shipping Weight (lbs): 4.8
Dimensions (in): 12.1 x 9.4 x 1.2
ISBN: 0300124112
Dewey Decimal Number: 709.450747471
EAN: 9780300124118
ASIN: 0300124112
Publication Date: November 25, 2008
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Product Description
With contributions by Sarah Cartwright, Jessie McNab, J. Kenneth Moore, Eve Straussman-Pflanzer, Wendy Thompson, and Jeremy Warren Many famous Italian Renaissance artworks were made to celebrate love and marriage. They were the pinnacles of a tradition---dating from the early Renaissance---of commemorating betrothal, marriage, and the birth of a child by commissioning extraordinary objects or exchanging them as gifts. This important volume is the first to examine the entire range of works to which Renaissance rituals of love and marriage gave rise and makes a major contribution to our understanding of Renaissance art in its broader cultural context. Some 140 works of art, dating from about 1400 to 1600, are discussed by a distinguished group of scholars and are reproduced in full color. Marriage and childbirth gifts are the point of departure. These range from maiolica, glassware, and jewelry to birth trays, musical instruments, and nuptial portraits. Bonds of love of another sort were represented in erotic drawings and prints. From these precedents, an increasingly inventive approach to subjects of love and marriage culminated in paintings by some of the greatest artists of the Renaissance, including Giulio Romano, Lorenzo Lotto, and Titian.
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| Customer Reviews:
How to get married at the time of Filippo Lippi November 21, 2008
Claude Reich (Florianopolis, Brazil and Paris, France)
2 out of 2 found this review helpful
The catalogue for the current show at the Met in NYC, which will later go to the Kimbell Art Museum in Fort Worth, this is a beautiful and scholarly publication, centered on that most human of passion, love, and the relationship between bride and groom during the Renaissance. Shown here are not only paintings (masterpieces by Lotto, Titian or Lippi), but also numerous artefacts such as glass vessels, plates, vases, books,wedding rings, cassone panels etc, all made to commemorate the childbirths or weddings of the rich (always) and famous (sometimes) of the time. The text, often based on ancient records (inventories of dowries, description of the "negociations" between the two wedding parties, private letters...)succeeds in setting the works of art in their social and economic context, showing how a wedding in Renaissance Italy was much more than just the outcome of a mere love affair.
High-quality illustrations and a text that tackles a rarely studied sociological aspect of the Renaissance make this book a valuable addition to any arts library.
Art and Love in Renaissance Italy November 23, 2008
Dr. Laura Morowitz (New Jersey)
1 out of 1 found this review helpful
Having recently co-authored a novel that focuses on art and love in Renaissance Italy, and on the intimate lives of the women who lived in it, I was delighted to see the magnificent catalogue published to accompany the Metropolitan Museum exhibition on Art and Love in Renaissance Italy. Lavishly illustrated with works in a variety of media, from painting to ceramic vessels to wooden birth trays, the catalogue offers proof of the importance of artwork in the daily life of Renaissance society. The well-written and detailed essays discuss the place of imagery in all stages of Renaissance marriage, from courtship, to engagement, to childbirth. Along with the pageantry and celebration that accompanied these events for the well-to-do, came a dazzling array of jewelry, portraits, and costume, as well as specific functional but gorgeously decorated items such as cassone (marriage chests), bowls for washing the newborn, engagement rings for the anellamento, and dishware for new mothers. Drawing on mythology, religious imagery and the specific iconography of Renaissance Italy, the works depicted in the exhibit and painstakingly researched in the catalogue essays offer a window into the intimate lives of the patrons who commissioned and displayed them. For those whose curiosity about the love life and childbirth practices of Renaissance Italy are not fully sated by the exhibit, I strongly recommend The Miracles of Prato (William Morrow), forthcoming this January. The novel features just the kind of objects displayed in the exhibit, and follows the life of Fra Filippo Lippi, whose Portrait of a Woman and Man at a Casement Window is truly one of the highlights of the show.
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